The Southport riots: the should and could of loving our neighbours
How did a Taylor Swift dance party tragedy in Southport degenerate into some members of ethnic minorities across the U.K. too scared to leave their homes? Th...
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This August, Taylor Swift returns to London to complete her record-breaking eight nights at Wembley Stadium, in addition to her fortnight of other UK concerts. From being the mastermind of the highest-grossing tour in history to speculation that her endorsement could swing the US presidential election, Swift’s global dominance is undeniable.
Swift is clearly an exceptionally talented performer and songwriter. And as an audience member, I can attest to the exhilarating spectacle of the Eras show. However, there’s more to the Swift phenomenon than mere talent. I think there are two cultural zeitgeists that Swift has come to embody: individualism and liberation.
First, our culture idolises individualism and the expression of our idiosyncrasies. Swift expresses individualism in bejewelled style. From having different surprise songs in every concert to releasing a new album (and ‘era’) partway through her world tour, Swift is fearless in putting her authenticity on show.
As Christians we ought to praise God for our individuality and celebrate gifted individuals. However, contrary to individualism, our ultimate meaning comes not from self-expression but through placing our identity within God’s overarching story. We are most ourselves when we are enchanted by God’s tune, not our own.
Second, the Eras show is permeated by the narrative of liberation. Songs like ‘The Man’ and ‘You Need to Calm Down’ explicitly address justice for oppressed minorities. In addition, The Eras Tour is set against the backdrop of Swift re-releasing the ‘Taylor’s Versions’ of her early albums, following a dispute with Scooter Braun, who bought Swift’s record label in 2019. The closing song of the Eras show, ‘Karma’, appears to be about her bad blood with Braun and her victory over the man who tried to oppress and possess her.
Justice and liberation are core biblical themes and the global injustices that we are all too well familiar with should spur Christians into action. However, it’s oversimplistic to dichotomise society into oppressor and oppressed, for the tendency to oppress others runs through every sinful human heart. Salvation is necessary because there’s a hero and anti-hero within all of us.
In sum, there’s much to admire, enjoy, and celebrate about Swift and The Eras Tour. And yet, Swift’s dominance lies partly in her encapsulation of some powerful cultural narratives that followers of Jesus should carefully consider. Our call is to live as people whose significance comes not from self-expression nor participation in social justice, but by being bit players in God’s great love story.
PS: Did you spot the 12 hidden Eras Tour song titles in this article?
Dr Ben Chang
A&E doctor, speaker, and author of Christ and the Culture Wars: Speaking for Jesus in a World of Identity Politics
For those who’d like the answers to the hidden song titles challenge…
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1. August
2. Fortnight
3. Mastermind
4. Bejewelled
5. Style
6. Fearless
7. Enchanted
8. Bad Blood
9. The Man
10. All Too Well
11. Anti-Hero
12. Love Story